On first impressions From the Lowlands ('Being the second part of The Alphabet of Hurricanes') feels like a perplexingly spare, small record. An EP with ideas above its station. Certainly not the same kind of diverse, confident affair as its predecessor.
It's not long before those first impressions are confounded. Ruthlessly stripped-back tracks such as the opener, 'Lately's All I Know', worm their way into your brain with melodic hooks that belie the starkness of the production (or indeed its subject of bereavement). The cover of 'Sloop John B' counterpoints a melancholy take with rich harmonies, the beautiful title track blooms into a choir of voices, and when 'The Alphabet of Hurricanes' finally makes itself known as a song rather than an album, it's as an epic 8 minute affair heralded by lush string arrangements. Lyrically it's also one of the strongest compositions on a collection of sincere songwriting that's almost painfully confessional, even for Tom McCrae. Two tracks, the perky 'Fuck you, Prometheus' and the maudlin 'All That's Gone', confront failure to achieve success: "time has worn a hole in me /the place I keep my dreams". Another two tracks, the opener and the lovely 'Ship of Blue and Green' contemplate death and loss. And yet the overwhelming impression is not of gloom but of melancholy beauty.
It's not the most commercial of offerings; as an introduction to Tom's music it's unlikely to convert the unfaithful. The closest thing to a single here is 'Belly of a Whale' which is very agreeable but never quite soars, or the sprawling closer. The actual single, or at least the one with the online video, is the low key 'Nothing on the Dry Land', my nomination for the least remarkable song on the album.
Ultimately this album has an intimacy that means it never quite escapes the feeling of a maxi-sized EP, but with a full-band album already recorded for release next year maybe that's exactly what this wants to be. It's certainly a more addictive experience than it may first appear.
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